Philly comedians find more laughs with an expanding indie stand-up scene

It’s hard to ignore Philly’s influence in the comedy world.

Superstars like Kevin Hart and Quinta Brunson have broken barriers in Hollywood, while Upper Darby native Tina Fey shined for years as a Saturday Night Live cast member and writer. Late comedy legends Bob Saget and David Brenner helped establish the city’s signature raw, cheeky, and unfiltered comedic style. But comics Tyler Wolf and Manny Brown say the city has yet to fulfill its potential.

For years, Wolf said, Philly has had fewer opportunities for comedy compared to cities like Boston, San Francisco, Washington, and Chicago. The Mount Airy native, who started Next in Line Comedy shows with Brown in 2021, said there aren’t enough shows, open-mic events, or paid gigs for many local performers to pursue full-time careers as comics.

“The weekends, which is ideally when shows are taking place, are pretty barren in Philly outside of the comedy clubs, but those other mid-major cities might have five-plus independent shows on any weekend night,” Wolf, 30, said.

Brown said there’s still much to be desired, but the rise of independent shows and small, DIY-style comedy stages are filling the void. Along with established clubs like Helium Comedy Club and Punch Line Philly, the West Chester native said comedians are renting out local restaurants, cafes, breweries, and bookstores for more stage time, consistent pay, and a longer leash of creativity.

“We’re moving toward this larger independent comedy scene,” Brown, 34, said. “That’s a win-win for the comics because they get more stage time and become better comics, and it’s also a way for audience members to see really good comics for not a lot of money.”

Many independent comedy shows in Philadelphia cost between $5 and $20, and expose audiences to observational, deadpan, dark, or slapstick wit.

Part-time performer Kinjal Dave — who has produced shows in the backyard of Bindlestiff Books — said hosting events at venues like Tattooed Mom, Fergie’s Pub, and Second District Brewing also gives more Philly comedians an outlet to sharpen their skills when other comedy shows have full lineups.

“[These spaces] are really important if you want to get diverse voices, perspectives, and life experiences on stage,” Dave, 27, said. “I think in mainstream comedy, a lot of it is about stereotypes, and you have little time to get the audience’s attention. But if you have your own show, you have a chance to have a different conversation or opportunity to express yourself.”

Kristen Scopino, who has organized comedy shows at Stir Lounge, Dahlak Paradise, and other venues in town, said the comedy scene has opened up, and is offering more women-led and LGBTQ-centered events since she first began hosting shows in 2018.

“There were so many lineups with all men, but there’s been a few different LGBTQ showcases around the city in the last few years,” Scopino, 31, said. “A lot more people around the city are more open to putting on different comedy events, some even for the first time, and checking out how it works in their place.”

Comedian Jay Yoder, 39, said the rise of independent shows and small-scale events is a product of the pandemic. Many comedy clubs closed, leaving performers without a creative outlet, and unsatisfied in a genre that relies on a live audience.

When the switch to virtual performances flattened their hopes, Yoder said, he and other comics turned to whatever spaces were willing to host weekly nights of comedy, which continued for three years. The once makeshift stages have become routine comedy stops, and helped Yoder, a part-time teacher in Chester County, jumpstart his comedic career.

“Restaurants were primed for it,” said Yoder, who hosts monthly comedy shows at Tuned Up Brewing. “They had space that needed to be filled and it was just another reason to get people back into the building. It was sort of natural, and it worked out beautifully.”

Since the pandemic, Prateekshit Pandey, a regular performer at ComedySportz Philadelphia and Philly Improv Theater, said some comics have begun producing small shows inside their apartments as a way to cut costs and provide more intimate settings.

“In Philadelphia, especially after the pandemic, people have been doing that a lot because it’s cheaper to get those audiences, set it up, and perform for a smaller audience,” Pandey, 28, said. “You don’t have to pay for the price of renting out a bookstore or a cafe or anything like that.”

Alongside the rise of DIY-comedy shows, long-standing clubs are welcoming changes in the local scene.

Amanda Kyser, who oversees comedy operations for Live Nation, said Punch Line Philly is focused on drawing in different brands of comedy beyond typical stand-up.

“This is a moment where our definition of comedy is changing,” she said. “We’re embracing more types of comics from traditional stand-up comedians to podcasters and YouTube stars which are bringing new voices and new perspectives. It’s exciting.”

While the comedy scene is expanding, Pandey said there’s still a lack of diversity at local improv theaters, and certain comedy clubs are harder to break into than others, especially for comics of color.

“There are spaces and venues in Philly that are hard to get into because the gatekeeping comes into play,” he said. “Some are either geared to who knows who, and sometimes they don’t feel very comfortable going to regularly, at least not enough to be able to become part of the community.”

Dave said independent shows, open mics, and pop-up stages are creating more opportunities for comics of color.

“I want different immigrant communities that are in Philly to be represented in the comedy scene because there’s just a little bit more breathing room and hopefully the communities turn up and show out for these kinds of experiences,” she said.

With more outlets available, Wolf is confident the city will become a more viable spot for comedians to shine.

“This is not a zero-sum game,” he said. “More comedy just breeds better comedy, and there’s a big appetite in this city.”

– The Philadelphia Inquirer

'It's been pretty awesome,' Chelsea Handler says of returning to live performances

Chelsea Handler has never shied away from a call for transparency.

Whether her social or political stance has been deemed unconventional, controversial, or, more often than not, self-deprecating, she's owned it — standing firm in her beliefs. 

That mindset was at center when she was developing her new standup tour, Vaccinated and Horny, a title reflective of Handler's brand and material, she says, that will be a return to her comedic roots. 

After kicking off her national tour in Cincinnati this fall, the legendary comedian and six-time bestselling author will take center stage on Nov. 13 in the Palace Theatre

Calling in from New York City as she prepared for her show in Rochester, New York, Handler, 46, spoke with The Dispatch recently about the inspiration behind her new comedy tour and the healing power comedy has had during the COVID-19 pandemic. Her comments have been edited for space and clarity.

Question: What inspired the name of your new comedy tour?

Handler: I mean, I was home for a very long time, so there wasn’t a ton of sex happening. There was a lot of sexual repression.

So, as soon as I was vaccinated, I decide that I was going to move forward in this world with those two roles — vaccinated and horny.

Q: Your last special really dove further into the personal things you've endured — your personal therapy journey, confronting your brother's death, and others. Have you taken a similar route with this comedy tour?

Handler: This is more like OG Chelsea. This is me sounding off on all the idiotic behavior we all participated in during (COVID-19), like Windex-ing our takeout food.

My sister invaded my house with her three adult children for four months, which is something that I worked hard in my life to avoid. I never really wanted to have children or have them living in my house, but somehow I ended up in that situation anyway.

So, that put me in a really tricky situation. I probably sold my house as soon as they moved out to avoid that ever happening again. I just bought a new house that has four bedrooms, and I’m converting all four of them into a workout room, podcast studio — anything besides a bedroom, because that’s not happening to me again. I’m making the first time the last time because the entire reason I didn’t have a child is because of the off-chance we might go through a global pandemic and I’d be stuck at home with one.

I also bought (COVID-19) health tests at home for potential penetrators. I’d interview them in the backyard, run the diagnostics on the test — which took about 30 minutes. I’d give each candidate a nasal swab, and then I would talk to them within the 30 minutes it took to run the test, and, if during that time they said anything really annoying or I saw a pinky ring, I would just tell them they had (COVID-19) and were positive.

Q: I know you've been to several cities since kicking off the tour in Cincinnati, so how has that been being in front of more traditional audiences for a full-fledged  stand-up tour? 

Handler: It's been pretty awesome. It’s pretty good timing for people and a great time being a comedian because people are so excited to be out and back together in large crowds. And for many people, this is the first big event that they’re attending and I love being the reason for that.

It’s a great reminder about humanity and togetherness. Laughing together in large groups heals the soul, and I just want everyone leaving with their sides hurting, I want to provoke your thinking and be laughing so hard it hurts.

I want people to have accidents at my shows, I want people to know it's like a party. It’s not like a party where it’s an interactive party with people, you know, in the audience screaming and yelling. I definitely don’t want to encourage that, but I want them feeling like (they) went to a party.

Q: Do you feel this tour and the world of comedy have been needed during this time? From my perspective, comedy is already a sense of healing. And at a time when it's most needed, do you feel it's played its part well?

Handler: Yes, I think it's really needed and there’s a lot of conversations about how people aren't able to be funny in this climate which is (expletive). 

It’s easy to be funny without making fun of brown and Black people. It’s easy to be funny without making fun of trans people. Like there’s plenty of (expletive) to talk about, so everyone can get a little more clever and a little more creative, but start with yourself.

– The Columbus Dispatch