Immigrant advocates encourage Norristown residents to ‘raise their voices’ amid increased ICE arrests.

Dozens of Norristown residents stood on the corner of West Marshall and George Streets on Saturday, enduring the rain in support of their immigrant neighbors.

Following weeks of intense ICE presence in the Montgomery County seat, organizer Denise Agurto, 47, asked all undocumented neighbors to go home for their safety.

“This is the time for your allies to be here supporting you,” Agurto, executive director of Unides Para Servir Norristown, told the crowd. “No matter where you are from, we are glad you are our neighbor.”

In the last two weeks, more than 20 people have been taken into custody by ICE in Norristown, Agurto said, including a 34-year-old man arrested hours before the rally.

“Today, they broke our heart because they took one of us,” Agurto said. “He is a good guy, a family person who goes from work to home, and is always willing to help the community. He didn’t even have a deportation order.”

Anxious about her immigration status, a bakery owner watched the rally from inside her establishment.

“Norristown used to be a place full of happiness, people used to walk freely,” said the 55-year-old who requested anonymity out of fear of reprisal. “Now Norristown is desolate, people are terrified, and the business is not doing well.”

The Mexican national has spent more than half her life living in the borough — where about a third of the people identify as “Hispanic or Latino, according to Census figures — and has never seen people experience this level of panic.

Confused, she struggles to make sense of the fleeing sense of safety. “Me and my business give back to this country,” she said. “I pay taxes; I am not a burden to the state; I came here with nothing and work day and night to provide for my children. It’s incredibly heartbreaking to see Trump destroying all sense of community for so many of us.”

The arrests in Norristown come as President Donald Trump added Montgomery County to a list of sanctuary jurisdictions, from which he has threatened to cut federal funding.

Several Norristown Municipal Council members have also spoken out against ICE actions and criticized the arrests as cruel and destructive.

ICE has not responded to requests for comment.

Pennsylvania Immigration Coalition and other advocacy groups have issued an “ICE Alert,” warning of the agency’s growing presence throughout the state.

The groups have advised undocumented people, “If you can stay home, please stay home. If you are not able to stay home, please limit your travel.” They also encouraged people to review their rights under the law.

Saying they had no power to act, the county commissioners turned down a request this week to adopt a “welcoming-county” policy that would limit cooperation with ICE.

Legally, no local policy or ordinance can prevent ICE from conducting federal immigration enforcement.

Sanctuary jurisdictions simply choose not to help ICE do its work. But Trump has urged uncooperative cities, counties, and states to enforce federal law.

After shaking up the top leadership of ICE for the second time since February, the agency recorded its highest number of arrests in a single day on Tuesday.

Lydia Villalba, 27, who teaches high-schoolers in the Norristown school district, has witnessed firsthand how the current political situation has taken a toll on the classroom.

“They don’t want to make summer plans because they are afraid to leave their house. They are afraid ICE will be raiding at the parks,” Villalba said. “This is not how they should be living, they are children forced to grow up faster when they should be focusing on sports and being with friends, not about their families being separated.“

While Lorna Cassano, 61, doesn’t personally know anyone who has been taken into custody by ICE, as a healthcare worker, she has a feeling that could soon change.

“What this administration is doing is reminiscent of the Nazi Germany,” Cassano said. “These are my neighbors, my coworkers, my patients, these are fellow human beings.”

Milton Hernandez, 75, can’t help but feel a sense of helplessness after seeing fellow Latinos being taken away.

Norristown has changed, he said. “Now all you see is heads peeking out of doors, neighbors asking each other if it’s safe to go outside,” Hernandez said.

As Agurto continued welcoming supporters to the rally, she urged them to use their voices to inspire other allies to lend a helping hand.

“The allies are the people who can help us stop this, who see how their neighbors are being treated,” Agurto said as cars beeped in support. “They can see the empty streets, the struggling businesses, so they need to raise their voice as citizens.”

– The Philadelphia Inquirer

(Michelle Myers and Jeff Gammage also contributed to this story)

World Cafe Live protests continue as staffers are fired and threatened with legal action

The conflict between the new leadership team of West Philadelphia music venue World Cafe Live and employees escalated on Thursday to include firings.

Employees continued to picket on the day after Wednesday night’s walkout when, during a Suzanne Vega concert, they protested “an unacceptable level of hostility and mismanagement” by the new leadership.

On Thursday evening, the management team headed by new CEO Joseph Callahan responded by firing some employees involved in the protest and announcing plans to file a formal complaint to federal authorities and the Pennsylvania Attorney General’s Office.

In a statement titled “World Cafe Live Responds to Employee Walkout and Reaffirms Commitment to Community and Transformation,” the leadership said Wednesday’s action was “not only disruptive to our guests, but also resulted in significant reputational and operational damage to the organization.”

“The individuals involved in this walkout have been terminated with cause, and are permanently banned from the premises,” it said.

On Wednesday, Sophia Mattes, the night box office manager, read a statement in solidarity with her coworkers that demanded “on-time and accurate pay” and said “the work environment has become hostile to the point of staff safety being questioned.”

Mattes confirmed that she and four other staffers had been served with termination papers outside the venue on Thursday evening. In addition, another source said, two other staffers not involved in the walkout were also sent termination letters.

Those firings follow the resignations of WCL’s longtime COO and general manager Kerri Park, as well as programming director Helen Smith and ticketing and guest services manager Hayley Simmons, all of whom had their last days this week.

On Thursday night, shows went on with Philly’s interstellar musical travelers Sun Ra Arkestra and its 101-year-old leader Marshall Allen downstairs in the Music Hall, and for Sudanese American musician Sinkane upstairs in the Lounge.

When Sinkane and his band members, who blend African pop with electronica and funk, were told of the labor strife, he said he planned to speak out in support of the workers from the stage.

With reduced staff, the box office was closed, and there was no food service available.

“The management is more concerned with the protesters than solving the issues,” one protesting employee said.

The WCL statement said the organization has “retained counsel to file a formal complaint to federal authorities and the Pennsylvania Attorney General’s Office,” citing:

• Conspiracy to interfere with commerce under the Hobbs Act

• Theft and destruction of proprietary and contractual records

• Intentional infliction of financial harm on a 501(c)(3) entity

• Trespassing and unlawful disruption of business operations

Callahan took over as CEO and head of the World Cafe board this spring, succeeding Hal Real, who founded the venue in 2004 and converted it to a nonprofit in 2019.

According to the WCL statement, as of January 2025, the venue “was carrying over $6 million in accumulated debt” and suffered from “a culture of complacency and entitlement” that created “a dynamic that stifled innovation and smothered the growth potential of an organization with such extraordinary purpose and potential.”

The statement concluded: “World Cafe Live is not just a venue. It’s a home for music, community, education, and equity. … And to those who have sought to undermine this vital cultural institution: you will be held accountable.”

“We are rebuilding stronger, more transparent, and more community-driven than ever before.”

Outside the venue on Thursday afternoon, the protesting bartenders, guest service workers, and box office staff who gathered on Walnut Street shared a sharply contrasting perspective from that offered by WCL management.

Roughly 15 protesters assembled with signs that read, “Callahan Has Got No Plan,” “Keep Philly Independent,” and “No AI. NoMetaverse.” The staffers also launched a SaveWorldCafeLive page on Instagram.

Mattes said the past month has made her physically sick. “My anxiety and my mental health were not well,” she said. “I was scared, and a lot of us were scared, to walk out on [Wednesday], but I do feel relieved. I feel like something good will come of this, one way or another.”

Novalee Wilcher, who works in guest services, said Callahan’s presence has been a “crushing” blow to the venue’s operation, and she’s unsure how the place will survive going forward.

“Those who have been fired,” she said, “have been texted by coworkers, not management. So, there’s no communication about how to deal with these demands that we brought up to them, which shows a total disregard for the artists that are supposed to be playing, or how it affects the guests that are coming in, who have paid for their nights.”

Following Wednesday’s walkout, Wilcher said Callahan has threatened to call the police on her and other staffers as a form of intimidation. He even suggested their strike was “unlawful.”

She said she was locked in a room on Wednesday over a piece of personal mail that one of Callahan’s representatives “confiscated” and “withheld” from her.

Refuting Callahan’s claim of a $6 million debt, Mattes said former staff have verified that debt to be around $2.7 million.

“The fact is, we do need funding,” Mattes said. “But a big part of the problem with this new team is that we don’t believe that VR and hologram concert experiences, and taking the people out of this building, will be what draws people in more.”

Referring to Callahan’s plans to introduce automated servers, bartender Emilia Reynolds said, “I’m nervous about losing my job to a machine that can’t safely serve somebody, have them enjoy their night, and get them home safely. That’s my job.”

“Not even to mention, people woke up yesterday without a paycheck. That was the last straw,” they said.

Mattes and her coworkers, they said, are prioritizing funding efforts to “save” WCL but added that the leadership refuses “to listen to anyone who disagrees with them.”

Despite their indifference, Wilcher said she and others were willing to negotiate with Callahan. The crucial step, she said, was getting management on the “right path,” but, the staffers claim, it appears the tech entrepreneur isn’t looking to change course.

– The Philadelphia Inquirer

(Dan DeLuca also contributed to this story)

Swimwear worn by a Muslim teen lifeguard leads to a heated dispute at Philly’s Kelly Pool

The family of a 16-year-old lifeguard says she was dismissed from her job at the city’s John Kelly Pool this week for wearing modest swimwear, in keeping with her religious beliefs.

In a statement, the Philadelphia chapter of the Council on American-Islamic Relations (CAIR) called for the city to reinstate the teen, who is Muslim.

Susan Slawson, commissioner of Parks and Recreation, on Saturday disputed the family’s account of the Thursday incident. “She was not discriminated against. She was accommodated,” Slawson said.

Slawson said her modest swimsuit wasn’t the issue: The concern was her outer garment, which Slawson said presented safety concerns if worn in the pool.

Slawson added that during a confrontation at the Fairmount Park pool, family members had directed expletives and racial epithets at a Black male staff member.

She said the department would be willing to meet with family members and CAIR officials.

In a news release, CAIR officials said the incident occurred on the girl’s first day on the job.

In an email, legal director Adam Alaa Attia said the lifeguard, whose family did not want her to be identified, wore a long-sleeve rash guard swim shirt and long-leggings rash guard bathing bottoms. A loose-fitting outer garment was then placed over her swimwear “for the times they are sitting on watch and not engaged in the water,” Attia said in an email.

For swift removal, the garment was connected to the swimsuit with a small piece of Velcro.

Despite the lifeguard attire fulfilling safety requirements, the organization stated, she was instructed not to return to her position the following day because of the loose outer garment.

“The young woman’s attire … provided full coverage in accordance with her religious beliefs, and posed no risk to her or others,” the release stated.

As an alternative, the city allegedly offered a 3XL men’s cotton T-shirt, far too big for the young lifeguard, whose own garment was deemed “too flowy,” CAIR said.

It said that the offer disregarded the teen’s religious practices, bodily autonomy, and “undermined any claim that the issue was about fabric or safety.”

Lifeguards are permitted to wear loose hoodies and sweatpants over their swimsuits.

The organization requested a full investigation into the incident and a formal apology to the lifeguard and her family. It also asked that she be reinstated to her job if she wishes to return, and called for citywide training on religious accommodations and antidiscrimination policies.

“This young woman was prepared, professional, and fully qualified,” Attia said in an email. “She was forced to choose between her faith and her employment, a choice no worker should ever have to make, especially in Philadelphia, where the Muslim community is foundational to the city’s identity.”

Slawson said that after speaking with Kelly Pool staffers, the teen’s family, and Quaiser Abdullah, the city’s inaugural director of Muslim engagement, she rejected CAIR’s discrimination contentions.

“She was never asked to remove her rash guard. Her faith was never put into question,” Slawson said. “What she did have on was a safety concern.”

Slawson said Kelly Pool staff asked if the teen could remove a “cape” that was attached to her guard, which would potentially impair her ability to swim through the water.

She said the teen’s mom clarified that it would take only “10 seconds” to remove the outer garment, but Slawson said, “Ten seconds could be someone’s life.”

“You can’t get in the pool with that on because you have to worry about someone getting caught in that guard and possibly drowning because they’re caught in this long cape,” Slawson said. “We weren’t asking her to take off her Muslim attire at all. What we’re asking for is for her to not put the cape on.”

Slawson said the incident escalated when the teen’s family arrived at the community pool and began shouting at a Black male staff member.

Slawson said the teen was paid fully for Thursday’s shift and was invited back to work on Friday. But after the teen said she planned to bring her family back to the pool on Friday, Slawson dismissed the teenager for her scheduled weekend shifts.

“We’re not going to invite trouble,” she said.

Before CAIR Philadelphia released Friday’s statement, Slawson said, she already had planned a meeting on Monday with the teen’s family. Slawson said she also invited members from CAIR Philadelphia to attend.

Slawson said she and others are still willing to have the meeting, and to invite the teen back to her lifeguard role, as well as offer additional shifts to make up for the weekend-long dismissal.

The incident comes as Philadelphia is experiencing a shortage of lifeguards at its pools.

Along with clearing any discriminatory claims or miscommunication regarding safety requirements, Slawson said Parks and Rec wants to ensure another lifeguard isn’t lost in the process.

“We can’t afford to lose any, so it’s important we keep her as a part of our team,” she said.

Staff writer Robert Moran contributed to this article.

– The Philadelphia Inquirer

50 years after a deadly refinery fire, Philly firefighters honor those who were lost

Fifty years after dark black smoke from unrelenting flames clouded the sky over South Philadelphia, more than 100 people gathered Sunday in solemn remembrance of the city’s deadly Gulf Oil refinery fire.

The 11-alarm blaze on Aug. 17, 1975, forced the deployment of 600 firefighters to the Gulf Oil complex at Penrose and Lanier Avenues.

The intense flames and smoke, caused by the ignition of hydrocarbon vapors, resulted in the deaths of eight Philadelphia firefighters and serious injuries to 14 others.

To commemorate the devastation and honor the sacrifice of the men who bravely gave their lives, the Philadelphia Fire Department Historical Corp. held a tribute at Fireman’s Hall Museum on Sunday.

“It‘s rewarding that we’re doing this,“ museum curator Brian Anderson said. “We let the families know that even though they lost their family members, their sacrifice wasn’t in vain. It was with purpose.”

In the audience Sunday were firefighters and the families of those killed and injured in the refinery blaze.

Attendees placed roses on the engraved plaques of the late firemen: John Andrews, Ralph Campana, Robert J. Fisher, Hugh McIntyre, Roger Parker, Joseph Wiley, James Pouliot, and Carroll Brenek.

Many bowed their heads, closed their eyes, and stood in stillness as Anderson and PFD Historical Corp. president Eugene Janda took to the podium to illuminate their sacrifices.

Others shed tears hearing testimonies by friends and family about lost loved ones.

Nearby, vehicles from Philadelphia Second Alarmers, Engine 20, and other emergency responders lined the block of Second Street in Old City.

Over the years, Robert Fisher, the son and namesake of one of the firefighters who died from battling the refinery fire, said he had wanted nothing more from Philadelphia Fire Department and Fireman’s Hall than to memorialize the 50-year milestone of the tragic event that took his father.

“Everything was special,” Fisher said of Sunday’s ceremony. “Standing back and seeing people observe, honor, respect, and reflect on everything was very important. Hopefully, the legacy lives on.”

Along with honoring his father’s legacy, Fisher said reconnecting with the families and now-retired firefighters linked to the tragedy brought much-needed community.

“When you see each other, you know what each other’s going through,” he said. “You don’t have to talk about it. You’re just happy that you’re seeing someone. We don’t reflect backwards, we reflect forward.”

Given the support that poured forth from all in attendance, Anderson has no doubt that the sacrifices made by the firemen that day 50 years ago will live on.

“You can tell by the attendance of today’s event, these members will never be forgotten,” he said. “They’ll be forever memorialized here at the museum, too.”

– The Philadelphia Inquirer

Bryn Mawr College’s first Black graduate had to walk a mile to get to class. A new monument honors her journey.

D.C. artist Nekisha Durrett first took the “Black at Bryn Mawr” walking tour at Bryn Mawr College in February 2023. It was there that she learned about Enid Cook who, like her, graduated from Dunbar High School in D.C., considered one of the first academically elite public high schools for Black students in the country.

Cook went on to become the college‘s first Black graduate in 1931. She studied chemistry and biology.

Despite the wishes of former college president M. Carey Thomas and other faculty who rejected the idea of admitting Black students, Cook was permitted to enroll in the women’s college in 1927.

On her admission to the college, Thomas and her successor Marion Park barred the future microbiologist from living on campus, forcing Cook to walk roughly one mile to and from class.

“I do not myself feel it would be wise to admit a colored student into residence at Bryn Mawr at the present moment … I should perhaps add that Miss Cook’s passing the entire series of examinations at one time so successfully as to put her ahead of a long waiting list would seem to me in the case of any applicant very unlikely,” Park wrote in a letter to the Quaker activist Paul H. Douglas, who was advocating for Cook’s admission to Bryn Mawr.

On April 24, on that same campus, Durrett’s Don’t Forget to Remember (Me), was unveiled to a crowd of students, faculty, and residents, who marveled at both the size and detail of the public art work.

The monument, a “woven” pathway of custom clay bricks, forms a “square knot,” symbolizing an unbreakable connection and commitment to honor all of Bryn Mawr’s history.

Don’t Forget honors Cook and the Black servants and groundskeepers who maintained the campus during the early 1900s. It spans a 5,800-square-foot area, roughly the same length as Cook’s commute to Bryn Mawr.

“This campus was literally built on the backs of Black men and women, and that labor has been unrecognized as it always is,” Durrett said. “It was unrecognized and uncelebrated until Black students wanted to take on the responsibility of bringing their contributions to light.”

Rather than a single, elevated monument “frozen in time,” Durrett, a Cooper Union alumna, said she wanted something more dynamic and timely.

Among the pathway’s roughly 10,000 pavers are those engraved with the names of 248 Black workers and staff members whose contributions were hidden or “erased” by the college.

Each brick is glazed with soil from Perry House, a Black cultural center that was established after student protests in 1972, demanding a more inclusive curriculum and staff, and a culture house.

“The times that we‘re going through right now, we‘re witnessing the blatant attempt to erase and twist history,” Durrett said. “This has always been happening, which is job security for me because these stories are going to be uncovered.”

The monument is situated in the Cloisters of the Old Library, an enclosed space where the ashes of Thomas were scattered after her death. The library was once named after Thomas.

Bryn Mawr Africana Studies and Museum Anthropology professor Monique Scott said the space is a “haunting” location for many Black students.

“Students let us know that the Cloisters was a space where they didn’t feel welcome, and felt kind of heavy for them,” Scott said. “And with [Durrett’s] artwork, we‘re hoping that will shift that energy. It‘s about making Black and brown students feel very welcome here and in this space.”

Thomas, who died in 1935, rejected Black students and potential workers from entering the college, fearing their presence would tarnish its reputation. And for those who made it to campus, she attempted to limit their visibility.

Below the Cloisters are service tunnels, where live-in domestic servants and other personal staff worked.

Given the college‘s complicated history, Scott said students, faculty, and staff have conjured ways to uncover Bryn Mawr’s “untold stories” through the Art Remediating Campus Histories (ARCH) Project.

Following a student-led strike in 2020, Scott said, students, faculty, and staff established oral history projects, walking tours, and accessibility initiatives to unravel the hidden or misrepresented elements of Bryn Mawr’s history.

Among students’ demands was the installation of a public artwork that represented inclusivity. Durrett’s proposal was picked out of 110 applications.

Her previous works include “And The Ancestors Say…," located in D.C.’s Duke Ellington School of the Arts; “We See You” at New York’s Times Square; and “Magnolia,” which memorializes Black women who were murdered by law enforcement.

“From the beginning, it was so profound, amazing, emotional, and powerful. It was so many things,” Scott said.

Don’t Forget was built in partnership with Philly’s Monument Lab, a nonprofit public art, history, and design studio. Durrett was assisted by a group of student researchers, who dug into the school’s archives to find the names and origins of the school’s Black students and laborers.

From the dust-covered documents to charred-edged time cards from the 1900s to the ’30s, they discovered former porters, waitresses, and groundskeepers who had worked on campus. Some were from the Philly region, and others had ventured from as far as Virginia to study and work at the university.

Given Durrett’s “profound brilliance” and willingness to work so closely with Bryn Mawr students and department leaders, Monument Lab director Paul Farber said the monument came out just as he envisioned.

“A monument doesn’t just have to tell us about our past. But it can be done in a way that’s expansive and inviting,” Farber said. “Leave it to an artist like [Durrett] to respond in the most thoughtful and critical ways, and open up history anew in expansive terms.”

While Durrett understands one monument won’t rid the world of racism or discrimination, she‘s hopeful the path inspires future students, faculty, staff, and alums to continue honoring the Bryn Mawr’s full history and remember the names embossed on the clay bricks.

– The Philadelphia Inquirer

Nine BYOBs to try on the Main Line

BYOBs are as essential to Philadelphia-area food culture as cheesesteaks, hoagies, water ice, and soft pretzels.

With Pennsylvania’s notoriously strict liquor laws and expensive licensing fees, many restaurants in the Philadelphia region opt to go the BYOB route — helping fuel a vibrant dining scene where diners bring their own bottles to some of the area’s top spots.

Here are some Main Line BYOBs worth uncorking something special for.

Fraschetta BYOB

This intimate Bryn Mawr BYOB serves refined Italian fare in a cozy, elegant setting. Now owned by restaurateur Phuong Nguyen, Fraschetta continues to deliver satisfying housemade pastas and rich entrées, including creamy mushroom pappardelle and slow-braised wild boar in tomato sauce, finished with cocoa powder and Pecorino Romano.

📍816 W Lancaster Ave., Bryn Mawr, Pa. 19010, 📞 610-525-1007, 🌐 fraschetta.net

Dua Restaurant

In a sea of Italian spots, Bryn Mawr’s Dua Restaurant stands out for its traditional Mediterranean fare and cozy elegance. Chef Bledar Istrefi offers savory appetizers like burek and mussels pepata, and finely crafted bites like the pistachio crusted branzino and the mouthwatering pomegranate braised short rib over Israeli couscous.

📍 1000 W Lancaster Ave., Bryn Mawr, Pa. 19010 📞 484-380-2053, 🌐 duarest.com

Burrata Havertown

A sibling to its popular South Philly location, owners Dejvi Furxhi and Albi Furxhiu brought the charm of their Italian BYOB to the suburbs. Positioned on the bustling street of Eagle Road, Havertown’s Burrata location is adorned with Italian landscape portraits and cozy decor. The welcoming environment is complemented by delicious appetizers, pastas, and entrées, with items like truffle cream gnocchi and barramundi in garlic white wine sauce.

📍 26 E Eagle Rd., Havertown, Pa. 19083 📞 610-808-9933, 🌐 burratahavertown.com

The Choice Restaurant

Looking for a romantic night out? This 50-seat BYOB serves up Euro-fusion dishes with Ukrainian, French, and Asian touches. The restaurant, owned by Iryna Hyvel and her husband Volodymyr “Vlad” Hyvel, offers entrées like branzino with crispy potato balls, mushroom ragout, and striped bass ceviche.

📍 845 Lancaster Ave, Bryn Mawr, Pa. 19010 📞 484-383-3230, 🌐 thechoice-restaurant.com

Villa Artigiano Ristorante BYOB

This family-owned Ardmore restaurant boasts a menu of multiregional Italian favorites. Patrons can start with a small charcuterie board or other small plates before digging into signature dishes like gnocchi artigiano in fresh tomato basil sauce or pollo limone topped with crabmeat and a white wine sauce.

📍53 W Lancaster Ave., Ardmore, Pa. 19003, 📞 484-414-4997, 🌐 villaartigiano.com

Bam Bam Kitchen

From fried rib-eye and pork kimchi mandoo combos, to Korean fried chicken wings, and seafood pancakes, this Ardmore BYOB is booming with rich Asian flavor. Diners can enjoy Korean drink options like banana milk and the sac sac grape and orange flavors, or enjoy their own bottle while relishing over Bam Bam Kitchen’s succulent dishes.

📍 31 E. Lancaster Ave., Ardmore, Pa. 19003, 📞 484-844-7827, 🌐order.bambamkitchen.com

Tiramisu Cucina Romana

This Chester County gem blends the BYOB model with a full cocktail bar, offering the best of both worlds. Tiramisu specializes in Roman-Jewish cuisine with refined flavors. Menu highlights include red snapper with pine nuts, raisins and balsamic vinegar, or lobster ravioli with lump crab and cognac sauce.

📍 720 Lancaster Ave., Berwyn, Pa. 19312 📞 610-906-3299, 🌐 tiramisuberwyn.com

Ryan Christopher’s

This family-friendly Narberth favorite is helmed by chef Michael Klaumenzer, who cooks and oversees a menu packed with crowd-pleasers. Crafted from locally sourced ingredients, the Narberth eatery’s dishes include an award-winning French onion soup and entrées like grilled New Zealand lamb chops, sesame-seared salmon, and a chicken and shrimp cacciatore.

📍 245 Woodbine Ave., Narberth, Pa. 19072 📞 610-664-9282, 🌐 ryanchristophersbyob.com

Veekoo

Tony and Shelly Li’s stylish BYOBs, which expanded to the Main Line after opening in Royersford in 2003, continue to deliver savory Chinese, Japanese, and Thai favorites. Offerings include sushi rolls and signature plates like the Hong Kong-style soft shell crab and General Tso’s Chilean sea bass served with steamed jasmine rice or brown rice.

📍 761 W. Lancaster Ave., Bryn Mawr, Pa. 19010, and 564 Lancaster Ave., Berwyn, Pa., 📞 610-615-5118 and 484-318-7655, 🌐 veekoorestaurants.com

– The Philadelphia Inquirer

Freezing temps have brought back the backyard ice rink

Philly winters have been streaky in recent years, but homeowners and hockey enthusiasts are making the most of the recent deep freeze to build backyard ice skating rinks.

While many families favor the dependable conditions of an indoor rink, Fox Chase resident David Bara prefers the slow, chilling burn of a homemade skating consortium.

Since 2016, Bara has rolled up his coat sleeves to build a 22-by-48-foot rink for his family and golden retriever Ellie to enjoy. “I’m an absolute fanatic,” Bara said. “There aren’t many people in Philly who are crazy enough to do what I do. It’s definitely something more reserved for Canadians and other people up north.”

For nine straight winters, Bara has built a miniature hockey rink using plywood and a white plastic liner (a black one draws too much sunlight), while navigating the unpredictable forces of Mother Nature. “Half of the passion I have is the challenge of being able to do one where we live,” Bara said. “It’s not easy. It’s me and Mother Nature. If Mother Nature doesn’t cooperate, then there is no rink.”

After building the wooden exterior, he puts down the plastic liner and gradually fills it with water over three days. The shapeless plane slowly transforms into a sleek, 10-inch-high surface, which he wraps with beam-supported banners covered in local business ads.

Bara said his outdoor rink (ODR) wasn’t always as well-executed. His first one was made from a torn blow-up pool, with a thin surface just wide enough to fit his son and one other hockey player. But the haphazard experiment inspired him to take the art of ODR-making to the next level.

What started as a one-off project for Bara has turned into an obsession. “I’m out there building ice four or five times a night. I set my alarm for midnight, 2 o’clock, and 4 o’clock in the morning because it’s better to do it when there’s no sun.

I call it passion; some people call it insanity.”

It’s even become a part of family tradition. Bara hosts a broomball tournament every year for his daughter’s birthday, and his shed-turned-warming room is a late-night hang for Philadelphia Flyers fans. It’s equipped with a TV, a fully stocked bar, cozy insulation, and LED-lit walls covered in Flyers memorabilia.

Flourtown content creator Logan Randazzo said her DIY rink, too, has become a winter tradition. The Canada native and amateur figure skater grew up practicing two-foot turns and forward swizzles on her family’s rink. And for the past three Christmases, Randazzo and her husband have joyfully shared those “core memories” with their five children on the back patio of their historic mansion.

“It’s been fun as a parent to see that through my children’s eyes,” Randazzo said. “I used to spend all day out there with my brothers, so it’s really fun to see them [out there]. I hope it’s the kind of stories they can talk about when they grow up.”

While indoor rinks are great for skating year-round, Randazzo said nothing compares to the feeling of outdoor skating, especially when it’s accessible a few feet from a backdoor. “It’s nothing against indoor rinks, but the convenience of a mother of five to just step outside the door is absolutely priceless.”

Since posting an Instagram video of her 20-by-40-foot rink, Randazzo, who’s amassed more than 250,000 followers on the platform, said other Philly-area residents have contacted her to ask how they can make one of their own.

While ODRs are more common among Canadian and Midwestern households, Long Valley, N.J., resident John Greco said it’s become a growing trend on the East Coast since the COVID-19 pandemic.

The former hockey player runs a backyard ice rink Facebook group with Bara. He said people have been seeking new ways to explore the outdoors, and with more DIY tips and resources readily available, Greco said it’s easier than ever to get started.

The biggest challenges for new rink builders are finding backyard space without a slope, or building rink boards without a gap. Differing levels could lead to uneven ice, and cracks in the exterior can lead to “blowouts,” a balloon-like pop that ends in a flooded yard.

“I’ve heard all the horror stories. I try to collect information for people because that was my battle at the beginning. And now there are resources for people to start,” said Greco.

Barring an occasional snow blitz, or a momentary string of ice-capped days, snow in Philadelphia has been alarmingly scarce the past 10 years.

Last winter, Philly registered the lowest snow cover in a decade since the National Weather Service began tracking it in the winter of 1940-41. And the meteorological winter of 2023-24 was ranked the 10th warmest in records dating back to 1872.

Bara said it takes roughly three straight days of freezing temperatures for ODRs to hold. But despite last year’s record-low snowfall, he was able to build his ice rink in less than 24 hours. “I was making new layers every hour,” he said.

While winters have been more difficult to predict, Bara said the past 10 years have been fairly consistent. Some months (and years) are cooler than others, but the lifelong Philadelphian said the recent weather has been close to what it was when he first started making his backyard rink.

After a decade building “natural backyard rinks,” Greco said this year was his first making it with a chiller system, easing some of the pressure that comes with the weather-dependent pass-time.

YardRink CEO Brian Packard, whose company specializes in National Hockey League-licensed ODR kits, said the ease of technology is also encouraging people to build their own iced arenas.

It’s a trend he hopes will reduce children’s phone screen time and spark added interest in street hockey. Its growth, Packard said, could be similar to the popularity of flag football, which makes its Olympic debut in 2028. “It’s about sticks in hands and smiles on faces,” Packard said. “We’re excited about the resurgence of backyard ice hockey. People are going bananas with it.”

Whether it’s an NHL-licensed rink or a frozen retention basin, Maple Glen resident Kristen Warner said the best thing about ODRs are the moments shared with neighbors, friends, and family.

Warner has had rinks flood, and some have required emergency resurfacing. But no matter the conditions, one element always remains the same – the joy.

“[It doesn’t] matter if you get one weekend of solid ice, or an entire winter,” she said, “it’s worth the time and effort for the memories that are made.”

– The Philadelphia Inquirer

Keke Palmer and Tierra Whack bonded over a secret pregnancy

Keke Palmer met Tierra Whack over a game of spades at Jackie Chan’s house in South Philly.

Trust me, the story gets even better.

They started arguing with Rihanna when Eddie Murphy showed up to diffuse the situation.

And if all this sounds too good to be true, that’s because, well, it is.

“All right, we play too much,” Palmer joked to the Fitler Club crowd. The newly published author stopped by on Thursday for an event presented by Harriett’s Bookshop and sponsored by the Fitler Club and The Inquirer. Whack interviewed Palmer about her book, Master of Me: The Secret to Controlling Your Narrative.

The real story? The actress, singer, and KeyTV founder met Whack at Alicia Keys’ house in 2023, bundled up in a puffer coat, which she took off to reveal a baby bump. She was months away from giving birth to her son, Leodis “Leo” Jackson.

Whack kept her lips sealed on the secret pregnancy, and the two multi-hyphenates have built a special bond over the past two years. “I love you girl,” Palmer said as she walked over to hug the North Philly native. “I love you, too,” Whack said.

“I’m here, no payment or nothing,” Whack said to the crowd in the Fitler Club ballroom. “This is my girl.”

Palmer’s memoir delves into her days as a child actor, and the lessons she’s learned on her journey to becoming an Emmy-winning entertainer, entrepreneur, and mom of one.

“Kids bring perspective,” she said. “I have to make sure this baby is good, and then I have the rest of the day. It’s helping me understand what’s really important.”

Palmer and Whack spoke of their love-hate relationship with musicals and their fondness for ’90s and early 2000s sitcoms like The Jamie Foxx Show and The Parkers. And like the rest of us, Palmer can’t get enough of the Apple TV+ thriller Severance. “It’s so good, I had to go back and re-watch season one,” she said.

By the end of the evening, Whack had seemingly found a name for her next project.Whack of All Trades.

“If that’s the next album, I need a feature,” Palmer said.

– The Philadelphia Inquirer

An in-the-works UArts documentary will show what led to the school’s collapse

Amid the thousands of emails that filled his inbox, former University of the Arts professor Kyle Crichton never expected to receive a message like the one delivered at 6:19 p.m. on May 31.

Crichton froze as the news broke — president Kerry Walk said the school was closing in a week. And on June 7, the historic arts college officially shuttered its doors, leaving hundreds of students and educators wondering how and why the university suddenly collapsed.

Administrators blamed declining enrollment and unexpected financial challenges as the source of the dismay, while some UArts employees and union members pointed to alleged mismanagement. The closure sparked days of protests and class-action lawsuits filed by dozens of ex-staffers.

‘I started filming it’

With uncertainty still looming,Crichton grabbed his camera and began capturing student-led protests on the steps of Dorrance Hamilton Hall on June 5. The award-winning filmmaker had another project on the books, but he decided to chronicle the story he was experiencing and watching unfold.

“As it happened, I started filming it,” said Crichton, who received a Mid-Atlantic Regional Emmy for his work on the 2023 documentary Angel Dose. “I was disappointed financially, but I was also disappointed I wasn’t going to be teaching these kids.”

In need of a cinematographer and co-director, Crichton tapped fellow UArts graduatesKatie Supplee and Michelle Rose Goodwin, who agreed to be a part of the project, still in early stages and currently titled “Reckless Education.”

Along with capturing the devastation of the June 7 announcement, the three filmmakers have interviewed UArts students, staff, and faculty about the lasting affects of the shut down over the past four months.

Goodwin, the co-director and producer of the film, is hopeful the documentary will fully capture the frustrations, anger, and heartbreak felt among the UArts community in the days and months after the unforeseen closure.

“The school dissolving in the fashion that it did shook a lot of people’s foundations, took a lot of control from their lives, and made a lot of people feel powerless,” Goodwin said. “And I think this documentary is a way to try to give them that power back.”

Why did UArts close so suddenly?

Goodwin said they aren’t shying away from the school’s missteps, which ultimately led to its dissolution and Chapter 7 bankruptcy filing. But a goal of the documentary is to figure out what happened.

To unveil the full wreckage of UArts, Crichton said it’s a “multi-pronged” approach that requires the voices of city officials.

Crichton, Supplee, and Goodwin are hoping to land interviews with city council members and attorney general Michelle Henry.

“Art is such a good vessel for spreading ideas, and I feel like that’s what we’re doing here,” Supplee said. “We don’t want to just impact the Philly arts scene with the film. We want to speak to the shuttering of educational institutions as a whole.”

Next steps for production

Supplee, whose fiancé worked at UArts before the university closed its doors, said the small production crew is now following “displaced UArts students who were forced to transfer schools to pursue their creative arts career.”

With filming in full swing, Crichton said the team is aiming for a 2026 release. The next step is to add more interview subjects, researchers, and filmmakers to bolster up the production, and score additional funding to piece the self-funded project together.

The three filmmakers are funding the independent venture while balancing their daily work as documentarians and content creators.

Crichton is confident they can produce the film “rag-tag style” for $100,000. And as they bring on more contributors, preferably UArts alums, he believes the nearly two-year process will be worth the wait.

“It feels like we have lightning in a bottle, and we want to continue pursuing it,” Crichton said. “Things will unfold, and we’ve come to the realization that it’s going to be a little bit of time, but we’re prepared for it.”

For more information, visit recklesseducationfilm.com.

– The Philadelphia Inquirer

Yo Philly, we did it! The Visitor Center announces the city’s first Rocky festival

Nearly 50 years after the release of Rocky, Sylvester Stallone’s iconic Rocky Balboa remains an integral part of Philly lore. And this December, tourists and longtime fans will get to celebrate the first-ever RockyFest.

Following the success of last year’s Rocky Day, which drew thousands of spectators and fans dressed as their favorite boxer, the Philadelphia Visitor Center on Tuesday announced the first RockyFest. The center made the announcement atop the very Philadelphia Museum of Art steps made famous by Stallone in the 1976 Academy Award-winning film.

Visitor Center president and CEO Kathryn Ott Lovell said the weeklong celebration, which runs Dec. 3-8, will feature a series of free and ticketed events, including a 90-minute bus tour. The Rocky Bus Tour will take fans to Mighty Mick’s Gym, the Italian Market, and Adrian Balboa’s fictional grave site at Laurel Hill Cemetery, among other filming locations.

“We’re just excited to give people the opportunity to celebrate Rocky,” Lovell said. “Visitors want to run the steps and get a picture in front of the statue, but this is giving people a much more comprehensive experience.”

The festival aims to expand the fan experience that is already served by the Rocky Shop, located at the bottom of the Philadelphia Museum of Art steps, and Rocky Day, which Stallone attended along with his family and friend, actor Chevy Chase.

During his visit last year, Stallone called residents of Philly the true heroes.

“I want to thank you from the bottom of my heart — and Rocky’s, too, because we’re very close — to all of you who, believe it or not, are the real-life Rockys, because you live your life on your own terms, you try to do the best you can, and you keep punching,” he said.

Through partnerships with Visit Philadelphia, the Philadelphia Film Society, Philly PHLASH, and other organizations, RockyFest will help recreate Rocky and Adrian’s date nights at the University of Pennsylvania’s Class of 1923 Ice Rink and the Philadelphia Zoo. There’ll also be a Rocky marathon at the Philadelphia Film Center.

The Kennel Club of Philadelphia will host the “Southpaws at the Docks: Pugs and Mugs Yappy Hour” at the Cherry St. Pier on Dec. 5 to celebrate the bond between Rocky and his bullmastiff, Butkus. And historian Paul Farber, director of Monument Lab and host of The Statue podcast, will lead a discussion about the significance of the Rocky statue on Dec. 6.

“We’re excited about this year’s lineup of events and look forward to welcoming all who journey here to celebrate this cultural icon,” Visit Philadelphia president and CEO Angela Val said in a statement.

RockyFest guests will be offered free hotel parking and vouchers to the Rocky Shop, Val added.

Jennifer Nagle, vice president of special projects at the Philadelphia Convention and Visitors Bureau, is confident the festival will draw Philly natives in addition to out-of-towners. “I’m from South Philly myself, and there’s nothing more South Philly than what we just put together with this RockyFest, Nagle said. “It’s long overdue.”

For more information and tickets to the inaugural festival, visit phlvisitorcenter.com/rockyfest.

– The Philadelphia Inquirer

The Philly photographer who spent decades photographing the beauty and majesty of Black cowboys

More than 30 years ago, Pulitzer Prize-winning photographer Ron Tarver began photographing Black cowboys, rodeo queens, and ranchers across the southern plains of east Texas, the low hills of Oklahoma, and the urban pathways of Philadelphia.

On assignment for National Geographic and The Philadelphia Inquirer, Tarver captured generations of cowboys and cowgirls working in their stables, strutting in small-town parades, or cooking breakfast inside their ranch-style homes. After failed attempts to thread the detailed portraits and textured landscapes into a book project, Tarver put away nearly 20,000 pictures in a storage container.

In the years since, Tarver published a book about the experiences of African American war veterans and became an associate art professor at Swarthmore College after a 30-plus-year career in photojournalism.

His new book The Long Ride Home: Black Cowboys in America finally releases on Saturday. A week later, Tarver will be doing a book signing, sponsored by the Print Center, at the 20 / 20 Photo Festival Photo Book Fair at Cherry Street Pier on Sept. 7. The book photos will also be on display at InLiquid Gallery as part of their Brotherly Lens: A Portrait of Philadelphia exhibition, which is also part of the 20 / 20 festival.

“This is one of those projects that wouldn’t leave me alone for the longest time,” said Tarver. “It’s always been on my mind because it’s such an important project to get out into the public.”

Black cowboy culture’s recent renaissance in pop culture may have started with the 2020 North Philadelphia-set western Concrete Cowboy, starring Idris Elba. Musicians from Lil Nas X to Beyoncé have also straddled horses and donned bolo ties for songs honoring the Old West.

For Tarver, the timing is perfect. “It’s out in the zeitgeist now,” he said. His book’s 110 images showcase the deep roots of the country’s Black cowboys and cowgirls.

Tarver’s The Long Ride Home isn’t the act of an outsider looking into Black cowboy culture. He lived it.

Tarver grew up in Fort Gibson, Okla., where he rode horses bareback, attended rodeo shows, and spent his summers working on local farms and his cousin’s ranch.

His grandfather, Thomas Wilson, was a working cowboy in the 1940s. His father, Richard, introduced Tarver to the world of documentary-style photography.

It wasn’t until Tarver, now an Elkins Park resident, moved to Philadelphia in 1983 that he realized how unacquainted people were with the Black West.

“The bottom line was people didn’t think there was such a thing as a Black cowboy. I got all kind of strange feedback [on the book] from people literally saying, ‘I don’t think there’s an audience for this. I don’t think there’s any kind of thing or entity as a Black cowboy.’ So, that’s why I put this thing in a box and just said, ‘Forget about it.’”

According to Smithsonian Magazine, one out of every four cowboys who were “trailblazing, sharpshooting, and horseback-riding” on the American frontier were Black. And with the release of The Long Ride Home, Tarver plans to paint a vivid picture of the culture’s history and grandeur.

Liz Spungen, executive director of the Print Center, said Tarver faced many roadblocks with the book’s release. But she’s thrilled to see the decades-long project come to life, and to have the capacity to showcase his work in a planned exhibition in fall 2026.

“I think there’s probably a more receptive audience for it now … people are now more eager, I hope, to understand the larger contributions of Black Americans in the West. We are more attuned to hearing these stories now, so I’m hoping it will receive a fabulous audience.”

With renewed interest in his Black Western project, Tarver was tasked with cutting down his 20,000-image collection to a book-size number. He focused on the years between 1992 and 1996, and zeroed in on photos of everything from the rodeo shows to the after-hour hangs.

“I wanted to show that this isn’t a fad,” Tarver said. “I wanted to show the broad spectrum of Black Western lifestyle, and its vibrance even as far back as then.”

Tarver narrowed it down to 250 photos, and then tapped longtime friend and former NatGeo magazine photo editor Elizabeth Krist to pare the project down even further.

Through the editing process, Krist was impressed by the stark contrast between Tarver’s detail-rich portraits and “visceral action shots.”

A founding member of the Visual Thinking Collective, Krist is hopeful the book opens people’s eyes to the lived culture of Black cowboys, both then and now. “It’s an ongoing culture. It’s not something you look back and think, ‘OK, that was the 1800 or 1900s.’ This is something that is still going on. I hope people really understand it on a deep level when they see his work.”

Once the final lineup of photos was selected, New Mexico-based designer David Skolkin stepped in. He was in awe of Tarver’s ability to meld his journalistic practices with his creative nuance.

The two men connected on long phone calls and Zoom meetings for months to finalize the layout and photo sequencing for The Long Ride Home. “It was like figuring out a puzzle,” Tarver said.

“The images felt very real to me. I could feel the people, sense their emotions, and could even sense how things smelled in the environment of the photographs. They had a texture that was very accessible to me,” Skolkin said of the final book.

As Tarver prepares for the book’s release, he’s reminded of the people he connected with throughout his career. Many of the children he photographed in the early 1990s have carried on their family’s legacy of farming and cowboy culture.

He hopes to develop another book that’s dedicated to the families he first photographed. He also wants his images to be placed in national museums and global showcases to continue sharing the story of the Black West for people to celebrate its largely undocumented glory.

“We all built this country,” Tarver said, “and to remind people that we were in this culture and have been for a long time is important. I hope this book carries out that idea, as well as the beauty and majesty of it.”

A wholesome rap battle promises cash — and takes a stand against gun violence

In the grueling battle against gun violence in Philadelphia, community leader and activist Sajda “Purple” Blackwell has served on the front lines.

At age 7, she lost her brother, Ronnie Easley, who died of a gunshot wound.

In January 2023, Sideic Robinson, the son of her husband, Thomas Blackwell VI, was fatally shot in Rochester, N.Y., while leaving his job at a local Burger King.

As the owner and operator of the online radio station PQRADIO1, Blackwell realized she had a role to play in perpetuating a trigger-happy culture. Her station played music that glorified street violence. And as death tolls rose, she swore only to promote “positive music on purpose.”

While she still plays urban contemporary artists like Lil Baby, Megan Thee Stallion, and Meek Mill, Blackwell doesn’t play or promote records that glorify gun violence.

Adding to her efforts at reprogramming the minds of local listeners, Blackwell also started the West Philly-based nonprofit Blackwell Culture Alliance Inc., which looks to “build stronger communities, neighborhoods, and economies through educating, donating, and volunteering.” It organizes food distribution drives and other outreach programs.

One such program is the open mic series How Dope Are You?, which Blackwell hopes will counteract some of the pervasive pop culture messages she finds so harmful. .

Since 2021, the monthly rap battle has encouraged local rappers to spread anti-gun violence messages through their music. The competition awards Philly rappers, poets, and spoken word artists with a $1,000 prize, but there are two rules: they can’t use curse words and have to firmly address the problem of gun violence.

“We became very intentional on promoting nonviolent music, and to challenge our young people to make the music they talk about, what they want to hear, and to make it hot. People have really begun to step up to the challenge,” Blackwell said.

Inside West Philly’s Holy Apostles & the Mediator Episcopal Church, the rap battle starts with gun violence survivors and their families locking arms in a “healing circle.” After Blackwell welcomes everyone, the attendees share their experiences.

“Whether we have 50 or 100 people, we’re creating a space for nonviolent music,” Blackwell said leading up to a recent showcase. “And if you can make a song about not killing anybody, then you can come get this ‘shmoney.’”

On May 22, South Philly artist Michael “Mike J” Johnson and nearly a dozen other creators exchanged stories and caring words before setting the stage ablaze.

“It just felt like a real encouraging space,” Johnson said. “Nobody was out for each other. The dynamic was genuine, wholesome, and very supportive.”

Johnson, who was inspired to rap after hearing Nas’ “I Gave You Power” at 8 years old, admits his music isn’t always the most uplifting. Days before the competition, he worked tirelessly to craft a song he felt was up to Blackwell’s standards.

He thought about the victims and perpetrators of gun violence, and how both their lives can seemingly end with the pulling of a trigger. He came up with the song “Let’s Rise Up,” which incited a seismic chant from the crowd in attendance.

“Bro, rise up. Sis, rise up,” the audience screamed. “Bro, rise up. Sis, rise up.”

By the end, Johnson and the other performers were awarded portions of the $1,000 prize. The program — and the camaraderie that was formed among the participants — made it feel more like a family gathering than a competition. There were no losers, Johnson said.

“It’s not just West [Philly],” said Reika Safiyya, a singer-songwriter, teacher, and sustainable clothing designer based in West Philly. “When you’re in Philly long enough, you can see the different dynamics. It’s a city full of art and talent, but the resources and support isn’t always there for people to thrive and live healthy lives. What Blackwell is doing is very necessary.”

Along with reducing gun violence, Blackwell said the open mic shows local artists that positive music can still fuel success. “It perpetuates the idea that the music is not corny, and that there are artists out there who can still survive in the rap game that’s not killing anybody,” she said.

What started as a five-person crowd three years ago has bloomed into a more recognizable open-mic series and family outing with catered food and a fresh lineup of local talent.

There’s been a notable drop in gun violence in recent years. According to the Office of the Controller, there was a 20% decrease in total homicides from 2022 to 2023. And Blackwell likes to think the Blackwell Cultural Alliance played a part in the decline.

Having cared for patients impacted by gun violence, Philly pediatrician and How Dope Are You? supporter Vivek Ashok said Blackwell has inspired him to take a more active approach to advocacy. For any program to be sustainable, he said, it requires a healthy investment from community members and elected officials.

“A lot of these community initiatives, specifically run by Black and brown folks, are not adequately funded,” he said. “I think highlighting the resilience and beauty of Philly youth is critical to understanding this group. And How Dope Are You? does that.”

As the program evolves, Blackwell’s goal is to foster more relationships with local organizations and brands. She hopes the city will fully get behind her campaign for nonviolent music. “We’re here to change people’s outlook on what music can be, and for the music industry to follow suit,” she said. “This effort is boundless. There’s no limit.”

– The Philadelphia Inquirer

Black-owned businesses are finding a home in Chestnut Hill

In Chestnut Hill, newly opened storefronts like Multiverse, NoName Gallery, Serenity Aesthetics & Wellness Medical Spa, and others have breathed new life into the historically affluent neighborhood known for 18th-century architecture, and a bustling commercial corridor. These businesses, owned by people of color, are servicing an evolving and increasingly diverse Chestnut Hill.

“We’ve had more than 24 businesses open in the last two years,” said Courtney O’Neill, executive director of the Chestnut Hill Business District. “The majority were African American owners, young couples, or women — and sometimes all the above.”

While 70% of Chestnut Hill residents are white, the neighborhood has seen a 7% increase in Black residents over the past decade, according to data from the U.S. Census Bureau. Black Philadelphians now make up 19% of the community, and there’s an increasing number of multicultural businesses attracting them to the Hill.

Fitness trainer Kim Harari, who moved to Chestnut Hill a year ago, said she relocated for a “homier” feel, and to find a deeper sense of community as a first-generation immigrant and queer resident.

For Harari, the growing diversity of Chestnut Hill is one of its best qualities. “If I could put a blueprint for what I wanted it to be, it’s here,” said Harari, a trainer at the Balance Chestnut Hill gym. “I never felt in place [in Center City], but [here] it’s diverse, queer-friendly, and a lot of Black-owned businesses. I love it.”

The speculative fiction bookstore Multiverse, which is owned by Sara Zia Ebrahimi-Hughes and Gralin Hughes, hosts monthly showcases for modular synthesizer artists. DanceFit studio owner Megan Kizer has led Beyoncé- and Lil John-inspired after-dark dance sessions. And NoName Gallery’s Jonene Lee has put on First Friday celebrations on the Hill.

Lee has welcomed graffiti artists, local musicians, and hip-hop DJs to her First Friday events, and said the presence of BIPOC-owned spaces and programs like hers has added much-need vibrance to the area. She feels more late-night, block party-style events is something the community has been wanting for some time.

“I’m happy that we’re bringing more color and culture here,” Lee said. “Even little old white women say they love what I’m doing, and that makes me happy.”

Lee says she knows no community is perfect. She’s dealt with “silent racism” all her life — the kind that’s felt through glaring eyes and disturbed faces rather than insults or derogatory statements. But she’s certain there’s real opportunity to grow in Chestnut Hill.

“It’s known for old money, and when you have old money, it’s white and it’s racist, I get that. But it’s not like that here. [Residents are] really open to art and culture, so I found a good spot.”

Tensions over change

While BIPOC business owners have been welcomed into Chestnut Hill in recent years, TC Unlimited Boutique owner Keia Chesson says that wasn’t always the case.

When she first opened her boutique eight years ago, Chesson was attracted to the “quaint” and walkable district, and the general ritziness of the area. At the time, there were only a few Black-owned storefronts in Chestnut Hill, and Chesson said moments of resistance from longtime residents occasionally surfaced.

“When Barack and Michelle Obama were in office, I highlighted purses and other items [with the Obamas’ faces on them] in my window, and some people didn’t like it,” said Chesson, who previously served on the board of directors for the Chestnut Hill Business Association. “Being a Black owner and supporting a Black president may not have been liked among some people [here], but for the most part, people embraced it.”

The increased diversity, O’Neill said, has brought a welcomed and organic change to the area, which has been largely “homogenous” for decades.

“It’s not just the business corridor, it’s just Chestnut Hill overall,” O’Neill said. “It’s an affluent neighborhood, but there’s a lot of affluent African Americans who have found their way here and made homes.”

Emerging unity

Beyond the rise in BIPOC-owned spaces, Will Brown of the Duke Barber Co. said there’s a real sense of unity that’s present throughout the commercial corridor. That’s why he’s kept his business in the area for 15 years, and why other entrepreneurs have gravitated there.

“We all go into each others’ businesses and support each other,” he said.

Brown said the growing diversity doesn’t mitigate the challenges businesses still face. Newly-established entrepreneurs can’t serve just one demographic to be successful — it has to be all of Chestnut Hill.

Owners like Gina Charles are up for the challenge.

Charles, the founder and medical director at Serenity Aesthetics & Wellness Medical Spa, moved her practice from Mt. Airy to Chestnut Hill in November. She wanted to find a ground-level location with greater visibility and easier access to its doors, and a space on the 8100 block of Germantown Avenue was a perfect match.

Charles is excited to see what the future holds, and for Chestnut Hill’s evolution to lead to more job opportunities, business collaborations, and networking events among all residents and patrons. “That’s a win for everyone,” Charles said.

– The Philadelphia Inquirer

‘There’s no edge like Philly’: Why the city’s most talented won’t leave their hometown

Philly’s “got major talent,” as entertainment mogul Charles “Charlie Mack” Alston says. “There are some remarkable people and talent that have come out of Philly, and the city has a surplus of it.”

But the demands of the industry often pull artists, musicians, and actors away from their beloved hometown, forcing them to pack their bags and migrate to cities like New York, L.A., Atlanta, and Miami.

But for Mack, who was Will Smith’s long-term bodyguard and personal assistant before becoming a notable Hollywood power broker, there’s only one place he calls home — and that’s Philly. And he is not alone.

Some entertainers born and bred in the region can’t seem to leave the city behind. We asked them why.

Responses have been lightly edited for clarity.

DJ Jazzy Jeff

DJ and hip-hop pioneer; West Philly native

Where do you live?

I’ve lived in Delaware for almost 20 years, but I never had a desire to move far away. It’s what I know. This is home.

Does the Philly area’s affordability play a factor?

It’s true – Philly isn’t as expensive as New York or L.A., and I know the city so I feel more comfortable here. I know how to navigate Philly; I don’t know how to navigate New York or L.A. In Philly, I know my surroundings.

Why do you think some Philly-born entertainers choose to leave the city?

Philly is a tough town. It prepares you to go off into the rest of the world because Philly doesn’t show love to those who don’t deserve it. Nothing comes easy, and it prepares you to go to places like New York and do a good job.

I think the people who move out of Philly never lose the love for Philly.

What does Philly’s future as an entertainment hub look like?

If you look at the history, [the Philly scene was lively] with Kenny Gamble and Leon Huff, then it left. That was the neo-soul movement and [then came] The Roots, it all goes in cycles. I tell a lot of inspiring musicians to just be ready when it comes back because it’s coming back.

Tierra Whack

Rapper; North Philly native

What’s inspired you to stay in Philly?

I love to travel, visit new places, and experience new things but nothing feels better than waking up in my hometown, with people that look and feel just like me.

Did you always see yourself staying in Philly?

I am Philly [and] Philly is me. I love my city and everything it has to offer. I want to put my city on the map. I’m not sure why other people leave, but I’m here to stay.

In a past interview, you talked about pouring back into the city. What does that look like for you?

My goal is to build a creative space here in Philly. Not only where I can go and be creative, but where others can, too. I love what’s happening in our city right now, [and] I want to be a positive light for everyone coming up after me.

Eugene ‘ManMan’ Roberts

Producer and musical director; South Philly native

Why do you think so many popular entertainers from Philly prefer to live in Philly?

A lot of people pull from Philly. Every major album, tour, and every band — someone from Philly is in the mix. And sometimes when we leave home and go to these other places, you’re filling them up with your energy, your presence, and your sound, but they can’t refill that cup. You got to go back home to get that vibe, inspiration, and aesthetic that makes home, home.

What’s stopped you from leaving the city?

We got rich history here. We have amazing producers, songwriters, and artists. We’re really good, and I never wanted to turn my back on the place that made me who I am. I’ll always be that no matter where I go.

Do you see Philly becoming a renewed musical hub?

Philly used to have Philly International, Sigma Sound, and all these other studios, and people came here to cut records. But when the world went digital, it took away needing studios. Until we build up an empire of entertainment with studios and rehearsal facilities, I don’t think any city can [become a musical hub].

L.A. is all that because that’s where all the celebrities live, and there’s good weather but I think the pandemic made it a level playing field for everybody.

Charlie Mack

Entertainment mogul and community leader; Southwest Philly native

Why do you think big-name entertainers from Philly choose to venture elsewhere?

Philadelphia is like a character, and people that used to come here admired it, but admired it from afar. If you don’t feel safe, you can’t relax and let your hair down. Right now, we’re in a place where we’re hemorrhaging and going through a very horrific transition, and I hope and pray that the kids here have an opportunity to experience Philly the same way I did.

I love my city, but the reality is people don’t feel safe. And home is supposed to be just that: a place you feel safe and welcome.

How can Philly go back to being what it used to be?

The natives of Philadelphia are in a space where they don’t love themselves. That’s the harsh reality, and it’s hard for someone to stay put when they’re not received or revered from their own people. Artists need validation and love, it’s a part of their makeup. Philly is real and harsh, it will hit you right in your face. Residents won’t give you fanfare if you’re not tapping into the things that make them move.

How can we better retain the talent that comes out of Philly?

I feel like the men of the city of Philadelphia have to restore safety. Women are stepping up in major ways, but men have to restore everything that is amazing about Philadelphia: the artistry, the streets, the sports, the politics, city government, and everything that it’s about.

Adam Blackstone

Multi-instrumentalist and songwriter; Trenton native

What does being close to Philly mean as an entertainer?

One thing is the culture of Philadelphia. There’s a go-getter and hustler’s spirit. For me, no other city has embraced the arts like Philly.

In Philadelphia, we just want to see each other win and we represent our city from all over the world, no matter where we’re from. That’s always a plus we have that maybe other cities don’t.

Are there certain Philly spots that give you inspiration?

When we go to any sports event, whether it’s the Philadelphia Eagles, Sixers, or Flyers, I feel a sense of oneness and a feeling that we’re all fighting for the same thing.

Don Cannon

DJ and record executive, West Philly native now living in Atlanta

Why does it seem like more Philly artists are staying in the city?

I feel like people just love the culture. I can walk through Society Hill and Parkside, and it just feels different than anywhere else in the world, from Brooklyn to Compton. It’s just a different feel, and I think that’s why people want to stay here. And sometimes you get away from home and think, “Man, it’s not the same,” and go back.

I know you relocated to Atlanta, but do you ever come back to Philly?

I left when I was 18, but I often go back to see what’s happening there, what’s the newest trends, and to get some edge. Sometimes you travel across the world, but there’s no edge like Philadelphia.

– The Philadelphia Inquirer

Philadelphia’s Black Cowboys honor a fallen, four-legged figure

Every time he marched across Fletcher Street stables, the strapping frame and cappuccino-colored mane of the American Quarter Horse drew the attention of Philadelphia’s Black cowboys and cowgirls.

His name was Streakin’ E Class. The quiet equine had a grandeur and presence that matched that of partner and former owner Eric “E” Miller, founder of the Philadelphia Urban Riding Academy.

Miller purchased his four-legged friend from the New Holland Horse Auction in 2017, nicknaming him “Chuck” in honor of a childhood best friend who passed.

On Sunday, Chuck died at age 29. His passing was felt across Philly’s horse-riding community, with several Instagram users commenting Monday on PURA’s announcement. “Rest well Big Chuck,” one user wrote. “I’m glad I gave you extra treats last night.”

“Everyone that visited the barn loved him because he was just so pretty, and he was just the man,” said PURA executive director Erin Brown, who goes by the moniker Concrete Cowgirl. “People adored him. He was just so beautiful and strong-looking, and even the other cowboys noticed he had this presence just like [Miller].”

Chuck was one of several horses Miller owned but wasthe first he bought after his release from prison in 2017. Miller’s interest in horses was rooted in his childhood. His father, who went by Butch, owned a stable in North Philadelphia.

In January 2019, Miller founded PURA, and the nonprofit became an outgrowth of the Fletcher Street barn, where Miller kept his horses and employed locals to care for them. His vision was to teach horsemanship to riders young and old and to preserve the history of Philly’s urban cowboys, bringing their stories to the general public.

His work led to the making of the Netflix film Concrete Cowboy, released in 2021, which starred actors Idris Elba, Caleb McLaughlin, and Jharrel Jerome. Brown said Miller was “the voice behind the movie and script.” But a month before filming began in North Philadelphia, Miller was shot and killed inside his Roxborough home.

Brown, who met Miller as a teenager at Fletcher Street, was determined to fulfill Miller’s vision for the movie and to care for Chuck. “I just knew [Miller] would haunt me if I didn’t,” she joked. “I knew how important it was to him.”

Brown said that Chuck was Miller’s “baby boy” and that he never missed an opportunity to brag about his dashing looks.

After Miller’s death, Brown took up the executive director role at PURA and ownership of Chuck. Recently, the horse’s health began to worsen. “It was best to let him go out like a G,” she said. “You could tell he was really tired.”

The long-time horse rider gifted braided pieces of Chuck’s mane to Miller’s four children. It’s a custom among cowboys and their fallen horses, and Brown felt it was the best way to honor Chuck’s legacy and the bond he and Miller shared. “I knew he was special to [Miller],” she said.

Miller’s daughter, Emani, said Chuck was like an older brother.

Chuck even joined Emani during her prom send-off last spring. The horse’s shoulders were adorned with images of him and her father, bringing the teenager to tears. “I couldn’t believe the amount of joy I felt,” Emani said. “It just made the presence of my father feel so real.”

Looking back at photos of her and Chuck, Emani said that she is saddened at Chuck’s death but that knowing he and Miller are now “reunited in heaven” has brought her a sense of solace.

“I know how much my dad loved his horse,” she said. “It felt so good to receive a piece of Chuck’s mane, and I was able to have a piece of him I will forever hold near [and dear] to my heart.”

Brown didn’t ride Chuck much but on commercial sets, he was the “grumpy old man” she entrusted for the job. He even appeared in Concrete Cowboy alongside Elba.

With support from Philadelphia and Councilmember Curtis Jones, PURA is set to open a new stable in Cobbs Creek next spring. The roughly $1.2 million project will convert an existing structure into a climate-controlled barn, Brown said, and Chuck was to be the first horse to walk through its doors.

Jones said the project will not only provide added resources for PURA, which currently boards its horses at the Dream Park in Logan Township, Gloucester County, but it will pass the “the baton” for future cowboys of color and protect the history of Philly’s urban cowboys.

“If this city were left to its own devices, it would totally erase the rights of cowboys out of its city limits,” he said. “Brown is not only fighting for the rights of the cowboy of color ... assuring there will be riders in upcoming generations.”

Brown said that a plaque honoring Milller and Chuck — and stories of them together — will be placed along the stable’s walls.

Meet the Philly artist who counts Shaq, Kevin Hart, and Brooke Shields among his fans

Long before the work of Justin Wadlington was placed in world-renowned gallery spaces, and he had Shaquille O’Neal, Brooke Shields, Kevin Hart, and other celebrities on his client list, the Philadelphia-bred artist learned to master another medium: the art of perseverance.

By 2009, Wadlington was worn by the grind of his 9-5 airline job, and it had been five years since he picked up a pencil and sketchpad. But a trip to Cancun reignited his artistic flame. Inside his job’s break room, he began sketching an image of a figure enjoying a beachfront, with a photograph of himself in the Mexican city as a guide.

His coworkers glanced at his work and were in awe of his abilities. That was enough for Wadlington to renew his pursuit of making it as an artist. “I made a promise to myself: get back into this and see what you can do with it. And ever since then, I kept trying to push the limits.”

As a kid, Wadlington submitted sketches of X-men characters to his school’s drawing competition. His high school teachers were some of the first to spot his artistic talents, and they placed his work in the building’s auditorium for a mini art show. “Back then, I knew I could draw, but I didn’t think it was special,” Wadlington said. “I just knew I could draw cartoons, but I never knew it was something beyond a hobby. I didn’t look at it as a passion, but it was.”

Growing up in Southwest Philly, survival was his main focus. His artistic pursuits fell to the background.

At 5, he accidentally ran into a piece of metal sticking out from a wall, and the devastating blow left him blind in his left eye. Wadlington’s mother struggled with mental illness and was later murdered in 2004. His father, a Vietnam War veteran, died by suicide when Wadlington was 2 years old. His grandmother raised him, but when she could no longer care for him, he was in and out of group homes until he was old enough to live on his own.

He enrolled in the Community College of Philadelphia in 2001 but dropped out after one semester. “Nobody was around as successful artists, so I felt like I had to get a job,” he said. “I looked around, but I knew Disney wasn’t going to hire me.” He worked up to two jobs a week to make ends meet, and over time, the desire to become a sought-after painter disappeared.

That moment in the American Airlines break room led him back to his creative path. Wadlington, inspired by England-based hyperrealist artist Kelvin Okafor, began sharing his detailed drawings of hip-hop artists and cultural figures on social media. Soon, he would put down the drawing stencil for a painting brush.

He was “self-conscious” about his left eye for a while, but the 40-year-old artist says it’s become one of his “strengths.”

“When I was younger, sometimes people would make fun of [my eye], and I used to feel some type of way about it,” he said. “But once I got older, started taking life into my own hands, and embracing the negativity, I began to show it more. I no longer hid it behind sunglasses.”

He took on the moniker Blind Eye Artist as a “reminder that I’m embracing something I was once ashamed of.”

As he refined his style on canvas — detailed images of pop culture icons, athletes, and artists against a Renaissance-style backdrop — Wadlington began gifting his work to high-profile entertainers, including Amber Rose, Joe Budden, and others. In 2017, one of his friends said they could get him in touch with Kevin Hart, so the artist worked on a portrait of the comedian for weeks, and was able to send him a large-scale painting.

Struck by the detail of Wadlington’s work, Hart posted the portrait on his Instagram. “Your talent in your craft is ridiculous man. I’m humbled by your gesture. ...This is the true definition of a #DopePic,” his caption read.

The post caught the attention of Shaquille O’Neal, who asked Wadlington to draw a portrait of him. In February 2018, the artist flew out to Los Angeles to hand the 7-foot NBA Hall of Famer the portrait, and another painting that paid tribute to the late Notorious B.I.G. Impressed by Wadlington’s talents, Shaq introduced him to New York-based art investor Glenn Fuhrman.

“I got the sense pretty quickly that he was a pretty special guy and definitely different and also a super talented artist,” Fuhrman said, “and that was really the beginning of a great relationship.” He and Wadlington quickly formed a mentor and mentee relationship.

With Fuhrman’s guidance, Wadlington began showcasing his abstract paintings in New York gallery spaces, schools, and museums, including the New York Academy of Art and the South Hampton Art Center in Long Island. His life and artistic journey soon struck Philly filmmakers Ashwin Chaudhary and Jonathon Korn of Juice Groove Films.

The two filmmakers wanted to make a short film around the Philly-based artist, but, Chaudhary said, the film quickly turned into a full-length feature. “He was larger than life when I first met him,” Chaudhary said. “Off the bat, his journey and how he got to where he is was just so compelling.”

The documentary, titled Blind Eye Artist, was primarily filmed between 2020 and 2022 and captured Wadlington’s roots in Southwest Philly. The film was released on Amazon Prime in October. “To witness the power of his art in transforming his life, it’s a story that will motivate anyone who wants to accomplish anything in a creative medium of any kind,” Korn said.

In the years he’s been in the art world, Fuhrman said many have fallen to their vices and life traumas. Wadlington, he said, could have easily fallen in the same trap. But because of his hard work and dedication to the craft, he’s never let it happen. “He’s got a great combination of talent, passion, and belief in himself that I think the sky’s the limit for him,” Fuhrman said. “I think he can go very, very far on this path that he’s taking.”

While he’s still carving his path, Wadlington said he wants to continue expanding as an artist and push the boundaries on all creative levels.

“I want to do impossible stuff, and I want people to see that they can do impossible stuff, too, regardless of where they come from or if they’re blind in one eye,” he said. “This is bigger than me, and I’d be doing people a disservice if I stopped going.”

– The Philadelphia Inquirer