Don Toliver closes Rolling Loud's SXSW showcase with thunderous performance

The final hours of Rolling Loud's South by Southwest showcase were very, very Texas. 

After Houston legend Trae the Truth took center stage Saturday, drawing in lovers of syrup-sipping tunes from the city's musical roots, emerging trap-rap and R&B crooner Don Toliver crept under the platform's blistering lights to the horns of "After Party."

Fans jumped over discarded beer cans and water bottles inside the mosh pit, screaming "Donny" over the stage's booming speakers and whiffs of marijuana smoke at Stubb's Waller Creek Amphitheater.

As many fans as there were inside the venue, just as many were stacked inside the divided entrance lines, with many able to catch only the echoing sounds of Toliver's electrifying vocals.

The "What You Need" artist started out with ear-rattling tunes like "Backend," "Cardigan," and "HAD ENOUGH" before switching to his more atmospheric and wavier standouts.

His dark silhouette could be seen under the bright lights and smoke cannons while he zipped from one end of the stage to the other, enchanting fans with his fiery energy and harmonic runs as he transitioned between songs.

The neo-Houston artist couldn't help but confess his love for his hometown and the city of Austin, where many of his day-one fans reside and have watched as he's grown in musical stature.

Collaborations with artists like Kanye West and Kid Cudi on "Moon" and Eminem on "No Regrets" are evidence of his expansion since 2018's "Donny Womack" and a sign of what's to come from the 27-year-old headliner.

As he closed out his set with "Can't Feel My Legs," Donny Womack gave his respect to Austin and Rolling Loud, which stood behind the emerging talent as he's racked up popular songs like "No Idea," "5X" and others from his deepening musical index. 

"Austin, I love y'all," he said as he walked off the Rolling Loud stage to a roaring crowd. 

– Austin 360

Paris Jackson plugs in a new sound and lights up Scoot Inn stage at SXSW

Paris Jackson hit the stage at Scoot Inn to flex her new musical muscles and introduce the roaring crowd to a small friend tucked inside her boot laces during a South by Southwest set.

The 23-year-old musician soared during Wednesday night's performance, as the crowd bobbed their heads, swayed their bodies and used their cell phones to record Jackson's high-spirited performance.

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'An earworm that never left': Columbus jazzman embraces musical gifts to inspire others

For jazz musician Miles Smith, the poignant sounds of classical strings and soothing tunes from the likes of Duke EllingtonJohn Coltrane, and other legends of the genre echoed through his home. 

There was never a moment of dullness, Smith, 21, said. Every morning, his ears were filled with the reverberating sounds of trumpets, saxophones and piano keys, with jazz seemingly becoming an inescapable fix.

And with both his parents dedicated musicians and music professors at Ohio State University, the Fort Collins, Colorado native — who moved to Columbus at age 12 —said his  culmination as an instrumentalist was a near formality.

"I like to joke that I was either going to become a musician or be disowned by my parents," Smith said jokingly.

Named after American trumpeter Miles Davis, Smith, now a Dublin resident, picked up the drums at age 3 before switching to the trumpet in sixth grade. From there, "jazz was an earworm that never left his body," Smith said.

"That was the turning point," he said. "I pick up the trumpet in sixth grade and think, 'Maybe this will work.' I picked it up, notes started coming out, it was feeling pretty good."

Instead, his affinity for jazz music soaked deep within him, becoming a sequential part of his every day. And while many his age gravitated to other popular R&B and hip-hop artists, he leaned toward the genre that got its start in the backwaters of New Orleans. 

"It's something to be prideful about," he said. "With jazz becoming a lost art, but still very present even in 2021, is something I'm very proud of. It found its way to me, and jazz music just felt right." 

An affinity for teaching

Now, Smith is a member of the OSU Jazz Emsemble and the OSU Fusion Jazz Ensemble, led by his father Mike Smith.

As he held a picture of a younger Miles Smith resting in his arms as he conducted a band, Mike, 61, looks at his son's artistic growth in awe. 

“He has an absolutely amazing ear," Mike said. "He can hear (the sounds) and spit them out. He formed an intimate relationship with the trumpet. He could figure them out and play them out.”
Mike, a lecturer and jazz professor at OSU, said even during those early stages, he knew Miles would morph into an incredible artist.

That never shocked him. What surprised him is Smith's affinity for teaching, a role he vowed he’d never do.

“I'm thrilled by it," Mike said. "I really am.

"Me and his mom laugh at it because they seemed to do anything but teach. Both of them have found they excel at it. It’s funny but it's heartwarming to see it happen. I hear him giving lessons on Zoom to people and I marvel at how good he is at that.”

Between his commitments at OSU, Smith works as an instructor at various Columbus-area schools and previously held teaching stints at the Lincoln Theatre, a place he frequented often as he built up his own command of the leadpipe. 

Smith's influence on local musicians

Gamal Brown, associate director of The Lincoln Theatre, said Smith’s involvement there has been an incredible addition and has provided assistance toward to developing local musicians through practice and education.

“I'd love to see organizations use (Smith) as the poster child for what jazz is in the city," Brown, 49, said. "They would benefit from him as a source,"

Smith said he works as an instructor to inspire other young, Black kids to embrace their inner musician, just as his professors and mentors did for him. 

Along with his parents’ influence, Smith credits the mentor-to-mentee relationships he’s developed with famed musicians and former professors for his musical maturation. 

Having met and briefly instructed Smith when he attended OSU, Jon Lampley, 32, said he had the talent from the start.

‘He had talent from the start’

Lampley, who currently plays with the house band of "The Late Show With Stephen Colbert," quickly recognized Smith's desire to be great in the time they spent together.

From listening to Smith, Lampley said he knew he had the tools to be a great musician.

"I gravitate towards people who are inspiring and uplifting, and to be able to have a direct line of inspiration at an early point is really cool," he said. "I'm excited to see how Smith progresses, and hopefully, we can make some music in the not-so-distant future."

Anthony Stanco, 32, Smith's former trumpet professor at OSU, said the young musician's budding talents are only surpassed by his dedication to the craft.

"I've always been blown away from his talent," said Stanco, who currently works as a professor at Michigan State University. " To play this music, you have to be around the culture, and Smith does that."

From transcribing the solos of Miles Davis and fellow trumpeter Clifford Brown, Stanco said given Smith's love of the genre, the sky is the limit.

"If you take care of the music, the music will take care of you," he said. "That is huge, and I don't see him having a national name as a far stretch. As his previous instructor, I'm going to help as much as I can."

As his young musical career marches forward, Smith said there are many things he wants to pursue. While grad school is a possibility, he's thought about a full-time role at the Jazz Arts Group or the Columbus Jazz Orchestra and, more recently, teaching on the collegiate level like his two parents. 

But above all, Smith said he wants to reach the heights of Lampley and others who have inspired him. 

– The Columbus Dispatch

'Moving is medicine': Austin shufflers build community through emerging dance craze

Just before dimming the lights and securing the doors of Austin's Balance Dance Studios, Ciara Castro exchanged smiles, hugs and "I love you's" with her students as she wrapped up another night of instruction.

The evening, like many, began with the full-time shuffler and TikTok star encouraging the group to delve into a state of free-flow as they contorted their bodies and stomped on the mahogany wood surface of the studio space.

For Castro's students, and the growing number of shufflers in Central Texas and beyond, the art form has served as a source of community, self-expression and creative solace.

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Here are 18 things to do with holiday visitors in Austin this year, from barbecue to hikes

If your loved ones are headed to Austin for the holidays — and hours of overly competitive board game battles, awkward family dinners and poorly sung renditions of "All I Want for Christmas Is You" are replaying in your head from past years — Austin360 is here to lend a hand.

Here's a list of things to do in and around town that will give your visitors a good taste of the city. Check individual websites for COVID-19 safety protocols and holiday hours.

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'He influenced everything': Austin musicians react to Vicente Fernández's death

Vicente Fernández endeared himself to generations of fans with his enchanting voice and songs of love, loss and life in rural Mexico. He made his name across the border, but the legend's death on Sunday saddened admirers across Texas, including in the Austin music community. 

"Fernández was 'El Rey de Canción de Mariachi,'" said singer-songwriter Patricia Vonne, 51, a San Antonio native and fixture on the Austin music scene. 

"He was the voice of Mexico that will never be forgotten," she added. "He was Elvis, Sinatra and Tony Bennett rolled into one. He will be sorely missed."

Fernández was called the "King of Rancheras." Before he died at 81, Chente, as he was known to fans, recorded more than 100 albums, sold over 70 million copies, starred in 34 films in Mexican cinema and recorded more than 300 songs. Those songs, like "Por Tu Maldito Amor" and "Volver, Volver," made him royalty in the Latin music world. 

He died in Guadalajara in his native state of Jalisco, four months after being hospitalized and diagnosed with Guillen-Barré syndrome, according to a family statement. News of the singer's death was announced in a post on his official Instagram account.

"Fue un honor y un gran orgullo compartir con todos una gran trayectoria de música y darlo todo por su público. Gracias por seguir aplaudiendo, gracias por seguir cantando,“ the caption read. (Translated from Spanish to English: "It was an honor and a great pride to share with everyone a great musical career and to give everything for his audience. Thank you for continuing to applaud, thank you for continuing to sing.")

With his signature charro outfit and embroidered sombrero, Fernández brought ranchera music to the international stage. 

Having grown up listening to songs like "El Rey" at family cookouts, weddings and quinceañeras, Austin musician Stephanie Bergara said the loss of Fernández is devastating, especially for those who grew up in and around mariachi culture. 

"He influenced everything," said Bergara, a 35-year-old local performer who also fronts the Selena tribute band Bidi Bidi Banda. "Everyone and everything about Mexican culture can be traced back to (him)."

On the day Fernández died, Bidi Bidi Banda posted a picture of him and Selena to their social media accounts, with the image highlighting the impact the two beloved  musicians shared, Bergara said. 

"I think they're having an epic concert up in heaven — drinking tequila and singing for everybody up there," she said. 

Although he grew up outside the mariachi culture, Bradley Jaye Williams, 60, of Austin band Conjunto Los Pinkys said Fernández transcended musical and cultural borders. 

"The songs are really what it's all about," the Saginaw, Michigan, native said. "His music is a part of the fabric of all Mexican music, but also a part of a lot of people's lives in Mexico and the world at this point. It's a worldwide thing."

Another iconic king of pop culture, George Strait, offered words of praise for Fernández.

"Sad news today. We lost (the) amazing legendary Vicente Fernández this morning," country music legend Strait tweeted on Sunday. "One of my heroes. May he Rest In Peace and may God bless and comfort his family. Hasta la Cruz Chente!!"

While Fernández has died, his voice and legacy will remain present, said Beto Martinez, co-founder of the Austin-based, Grammy-winning, Latin-funk band Grupo Fantasma.

"We sang his songs on birthdays, at funerals, weddings and big celebrations. The music will forever be associated with those (magnificent) events, whether happy or sad," Martinez, 44, said. "That legacy will never die down.

"He's an icon and a titan."

– Austin American-Statesman

Here's what you need to know before attending an event at Nationwide or Value City arenas

It's been 560 days since a live concert was held inside Nationwide Arena.

The last performance was given by country superstars Dan + Shay on March 8, 2020.

But after months of announcements and much anticipation, patrons will be welcomed back to Nationwide Arena with a performance from country singer-songwriter Eric Church on Saturday.

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Westland Mall Drive-In concert series to end Friday night with Big Gigantic

After quenching concert-goers' thirst for "live" music throughout the pandemic, the Westland Mall Drive-In concert series will end with the Big Gigantic's outdoor performance Friday.

With plans to revive the series this summer after a string of successful showings last fall, promotional organization Prime Social Group has scrapped all future plans for upcoming performances.

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Things to do this summer in Columbus: What's happening, what's canceled and what's changed

As venue and event spaces have begun to open their doors, a sense of hope has permeated through the city's entertainment circles.

As the summer festival and event season is fast approaching, we thought a roundup on the status of what is happening, what's going virtual or has been modified, and what is cancelled was in order.

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Trying to plan your summer vacation without leaving central Ohio? Check out these events

As venue and event spaces have begun to open their doors, a sense of hope has permeated the city's entertainment circles.

As the summer festival and event season is fast approaching, we thought a roundup on the status of what is happening, what's going virtual or has been modified, and what is cancelled was in order.

Here's the status of some popular summertime events, based on information available now.

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Columbus singers promote acts of kindness, shared empathy with debut singles, music videos

As central Ohio marks the one-year anniversary of the COVID-19 pandemic, two Columbus artists are encouraging acts of kindness and shared empathy through their debut singles.

On March 12, artist Imber Solis, released "Proud of You," which serves as a call for the increased support of local health care workers.

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Columbus bar manager Jesse Hubbard releases recipe book inspired by 20 punk albums

With a deep-rooted love for punk rock music and a flair for stimulating cocktails, bartender Jesse Hubbard combines his longtime passions with the release of his book titled "Punk Rock & Cocktails."

Hubbard, who is set to manage a bourbon concept bar (the name to be announced) in Grandview Heights that is slated to open in June, said the project is a love letter to his punk-rock heroes, many of whom inspired the creation of some of his most recognizable aperitifs.

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